"Leah does it her way with tasteful restraint and clarity. The CD liner notes provide an accurate description of Leah's contribution: The CD captures Ambience's distinctive sound that is characterized by tasteful guitar, lively brisk be-bop horn lines, robust bass, stimulating percussion and the pure sultry voice of Leah Natale. The Second Set, features Jazz and Samba classics from the golden era of American music as well as Brazillian and other Latin genres.Īmbience, is a Seattle based Jazz group that features Leah Natale on vocals, George Stone on guitar, Burt Boice on bass and Chris Busa on winds. Knight Rider Featuring Stu Phillips Soundtrack songs The Second Set
STU PHILLIPS KNIGHT RIDER THEME SONG SERIES
For the complete re-issue series of the Amon Düül II catalogue, the CDs will be released as remastered deluxe editions, with enhanced booklets, featuring new liner notes and photos. Amon Düül II, the second formation of this now legendary band, are one of the earliest and best known of the German experimental (Krautrock) bands. Germany's most critical music publication, Sounds, mused on the release of Vive La Trance: "The grating, grasping electronics have become even denser, more variable and dominant since Wolf City, lending Düül's sound a somewhat lighter, hovering element as an antithesis to the complicated, drum-driven rhythms." Beyond that, the musicians experimented - in the journalists opinion - with `bubbling, airy-spooky sounds that I'd love to fill my bathtub with.' The songs on this recording tend to be shorter (averaging around 3 1/2 minutes), and more conventional in structure and subject matter, but there is an overlay of electronics and psychedelic effects that definitely keeps the music within the progressive realm. The result even pleased German press, who otherwise tended to treat comparable acts from other parts of Germany with a certain skepticism and arrogance. Jeckyll and Pig Man and allowing tracks such as Fly United to gleam with thoroughly strange organ sounds. The group experimented with world music rhythms on compositions such as Mozambique, risked unusual piano dissonances on Jalousie, proved their distinct feel for haunting rock songs on Trap, Dr. Knight Rider Featuring Stu Phillips Soundtrack songs Amon Düül II's 6th album Vive La Trance was originally released in 1973. Torremaggiore-Villafalletto Triofrom I've Got The Tune:16. How I Met My New GrandfatherThree (of 9) Whitman songs:10. I remember reading what I'm sure must have been your post, but when I did a Google I couldn't find it.Knight Rider Featuring Stu Phillips Soundtrack album for sale Recorded Live in concert at the People's Voice Cafe, NYC, in celebration of the centennial of the birth of Marc Blitzstein.Starring Helene Williams, Victoria Tralongo, Katya Brous, Cameron Smith, Bill Castleman, Joshua Minkin, Lars Woodul, Robert Osborne, Don Levine and John Craven.22 Tracks total, including a Special Bonus Track of Marc Blitzstein himself playing, speaking and singing "The Nickel Under the Foot."1.
That's correct and I'm pretty sure I was the one who wrote the post on that forum. Underwood and Mike Lang were also using the Prophet 5 at the time so I'm pretty sure it saw some use on the show as well. Phillips didn't explicitly mention the OB-X and Minimoog but I do know that Ian Underwood used to use both synths at the time (he also had a Rhodes chroma but that might have been a year or so later). I can tell you that the 16th note figure that opens the theme was played by Ralph Grierson and was not sequenced, but played live." Three of the players on the date were Ralph Grierson, Mike Lang and Ian Underwood.
I cannot recall all of the instruments that were utilized, but I'm certain that Roland, Oberheim, Moog were among some of instruments used. "There were four synthesizer players on the KR theme session. I probably had a CS80 as well as a Rhodes Chroma." Here's what Grierson said: " I had a Jupiter 8 for the basic sequence type sound which I did play live. I got the info from Stu Phillips, and Ralph Grierson has confirmed to me that he did play the "arpeggiated" riff live using a Jupiter-8. Hopefully someone can provide a link to an interview or something to back this up.That's correct and I'm pretty sure I was the one who wrote the post on that forum. I think the main riff was Jupiter 8 and other synths were Prophet 5, OBX, CS-80 and Minimoog? I remember reading, possibly on another forum, that the score was performed live by multiple keyboard players.